MC-DIP

Performance ethnography I have been exploring is based on a multiracial cultural studies perspective (Diawara, 1996). A relativley new postinterpretive, post foundational paradigm is emerging that is less certain in terms of an interpretive enquiry approach (Denzin, 2003). The ways in which these relationships of difference and commonality are textually represented answer to a political annd epistimological aesthetic. From a feminist, communitarian sense, there are various approaches to performance ethnography.

Christian (2000) identifies three interconnected criteria that shape these representations of the world. Interpretive sufficiency - descriptions should possess the amount of depth, detail, emotionality, nuance, and coherence that will permit a critical consciousness. Paula Freire (2001) says conscientization to be formed - the oppressed gain there own voices and collaborate in transforming there own cultures. Representational adequacy - dealing with being free of racial, class or gender stereotyping issues. Authentically Adequate - in terms of text and according to Christian when they meet three conditions. (a) multiple voices are represented, (b) enhance morality in some way, (c) promote social transformation.

Multivoice ethnographic texts should empower persons, discover moral truths about themselves (in some way), and create social criticism.